Sculpture By The Sea – 2020


Around a year ago, 2019, I was spending a couple of months in Western Australia, with my wife and Aussie family. I think it was some kind of revenge on my daughter and her family, after they had spent a month, over the Christmas period, with us in the UK.

Cottesloe Beach – Western Australia

It just so happened that, in the February 2019, Cottesloe were holding their annual Sculpture By The Sea exhibition. We visited twice. Once with my daughter and son-in-law, and once with my grandaughter. We spent a glorious few hours, wandering along the shore absorbing the suns rays and, hopefully, a little bit of culture. Anyway, I’ve recently discovered that I did not share this experience with you. Very remiss of me. Let me rectify that error.

As it happens, 12 months on I find I am, once again, spending time in WA. The reason I am here will be the subject of a separate post. However, this March, Cottesloe were holding their 16th annual exhibition. My granddaughter and I made a date to go and get some more culture. The following photo’s are my record of that visit. The words below each image are those of the artists, taken from the exhibition catalogue.

Say hello to Cottesloe Sculptures By The Sea, 2020

Anta Omri is a work by Ayad Alqaragholli and his statement resonates ..

In my daily life in Australia I observe couples immersed in the intimacy of public affection, symbolising to me happiness, peace and freedom. This is everything to me after migrating from my birth country of Iraq where this is not always possible.

These three images are, in fact, alternative views of a single object. Showing the way the light affects the artwork as the angle of view changes.

A father cannot face his daughter; we come to know him as ‘Regret’. The young daughter winces, choking on a mouthful of coal. She wants the voice of her generation heard. This is the Lost Generation.

Similar to ‘The Burghers of Calais’, farmers experience a mix of defeat, heroic self-sacrifice, and despair. These two figures are one and the same.The isolation translates into a kind of cultural invisibility – they exist as ghosts in the landscape.

I love these metallic figures that become ghost as you walk around them.

Two organic figures are stood side by side, heir reductive forms work in unison and opposition as though pulling and pushing winds. Their singular ground connection creates a delicate structural balancing act as though they are caught in motion.

Here are a trio that I have given the monochrome treatment

My granddaughter getting into the spirit of the artists intention “to sit and listen to the silent story of a lone Cottesloe tree”. This, in direct contravention of the instruction to not touch the exhibit. Does sitting on constitute touching ?

Time for a little controversy. The Homer Homer exhibit has been the subject of accusations of plagiarism. Cool Shit subsequently admitted the inflatable work was inspired by Berlin artist Eike Konig’s Homer versus Homer.

Old story, New hero

Here is a rarity. I virtually never appear in my own photographs. Here I am accompanied by my granddaughter.

This exhibit gave us great entertainment as a magpie was attacking its own reflection, time and time again.

I sometimes wonder if the artists are having a huge laugh at our expense. Take “Flow” by John Petrie as an example. To me this is just a pile of Basalt off-cuts such as one might find in a quarry. Mr. Petrie says ..

The work mimics the geological rhythms and flow of the earth’s crust and reminds us that all stone was once in liquid form. The polished surface reveals the beauty of the stone.

Sorry John ….. not to me it didn’t.

Many of the artist exhibiting this year have an environmental message to impart.

For example, Sam Hopkins doom laden forecast that this skeletal form will become the norm by 2030. Due to the changes to ecosystems and the bioclimatic limit being reached by our trees.

Merle Davis focusses on our oceans referencing the risk to all sea life threatened by our careless dumping of rubbish and in particular, plastics.

And finally, rather prophetic and definitely of our time …..

Viruses need a living host to survive so they are not likely to completely kill their host until they have found another living host on which to live …

And so finally, a huge thank you to Cottesloe for once again hosting a superb show. It is a shame that the Coronavirus had to throw a spanner in the works and curtail this years show. Let’s hope that normality can be resumed in time for next years exhibition.

Shannon’s Classic Car Show


Shannons are an insurance company, in Australia, providing Car Insurance, Motorcycle Insurance, and Home Insurance products for motoring enthusiasts who drive imported, modified, classic, veteran or vintage cars. 

Each year they host a classic car show. Somehow, despite numerous visits to Perth over the years, I have failed to hear anything about the show. Until now, that is.

Which is how I came to spend around three and a half hours of this past Sunday, being totally surrounded by some of the most amazing classic, veteran and vintage vehicles.

Well OK, I did take a break during that time. One does have to keep body and soul together and a fabulous Brisket Burger, courtesy of “Up In Smoke”, helped with that task.

The show presented a vast array of vehicles. As soon as I had paid my $10 entry fee I found myself surrounded by several Lamborghinis

…. I still think the Miura P400 is the best looking Lambo. No sign of one at this show.

But who wants to waste time looking at high tech super cars …

… when there are classic Volvos. Who remembers The Saint, starring Roger Moore as Simon Templar in his white P1800.

… or Fiats … My wife and I used to own a dark blue Fiat 128. It took us, with two daughters, all the way from Portsmouth in the UK, down to Port Grimaud in the south of France where we toured around Cannes, Nice, St Tropez and Frejus. A glorious two weeks.

… and VWs … Note the strange protuberance on the side of the Herbie lookalike. It’s not a rocket booster but a retro-fit air conditioner. Working in much the same way as the evaporative air conditioners used on many Australian homes.

… no Classic Car Show would be complete without Citroen, responsible for some of the most innovative, technologically advanced cars. And, at the same time producing some of the, mechanically, simplistic vehicles that became iconic in their own right.

… 3 Wheelers like the Messerschmitt, with its aircraft cockpit bubble and even an aircraft style yoke to steer by. The Isetta could be driven in the UK on a motorcycle license, because it was classified as a three wheel motorcycle. I did note the absence of Rodney and Del Boys vehicle of choice, the Reliant. I guess WA is a little too far from Peckham for Trotters Independent Trading Co.

… a few Rileys with their gorgeous curves.

… a few fabulous Austin Healeys. As a school boy I used to lust after a 3000 that I would see regularly in Battle High Street. It was aubergine in colour and had a roll cage, wide wheels and leather straps to hold the bonnet down. The typical “Frog Eye” Sprite was a bit girly by comparison.

… there were a few Fords … what is there to say. Cars for every man. Although not everyman wanted to have the same as everyone else. Hence the many uprated, sporty customisations. I have to say I never thought I would see a Mustang towing a trailer. Especially not a trailer made out of another Mustang. Sacrilege !!!

… Chrysler were well represented by the R & S series Valliants

Never too old to learn something new. I was informed, by a very friendly fella, that the Slant 6 Engine is really a thing. Until Sunday, I had never heard of such a thing. Apparently the Slant 6 enabled the cars designers to achieve a lover profile for the bodywork.

… There was a strong showing from the Holden camp. Many examples especially given the recent news that Holden are ceasing production . My favourite is shown below.

… no show is complete without a Cobra or two ….

Of course it is hard to tell an original, from a replica licensed as a Shelby authorised continuation of the original AC-built Cobra series. Whatever they may be, they are fabulous looking cars.

Of course I could go on throwing up image after image of classic cars but that isn’t all that was available here.

There were trucks …

… Busses … apparently the City Clipper used to offer free rides around Perth city. Interesting that Luxembourg has just announced free public transport in a bid to alleviate traffic congestion. It remains to be seen if the scheme works. Nice to know that Perth was such an innovator, back in the day.

I’ve already shown you a VW camper of sorts. Here are a couple of other campers.

And finally, something most unexpected …. Perambulators ….. Prams !!!. I remember my sisters being pushed around in something similar. No collapsible buggies back then. Definitely not car friendly.

I have many more photos. If you are interested they are available on my Flickr Photostream